Great movies based on great fantasy books highlight the inherent strengths and weaknesses of both mediums. These films are a reminder to audiences and filmmakers alike: adapting a great work of literary fiction into a feature film is never an easy task. Even when a popular fantasy book, novel, short story, or comic is paired with the right filmmaker to delve deeper into the subject, a lot can go wrong. Because while writing literature is often a solitary task, film making is an intense collaboration whose limitations can sometimes nullify the advantages that films have over the written word.
Unfortunately, most book-to-movie adaptations are in the fantasy genre, which is not surprising. The difficulties of adapting written stories to film are compounded by the same things that make fantasy books worth adapting. In their efforts to improve the story or make it suitable for general consumption, filmmakers sometimes stray too far from the source material. Watch the latest horror and action movies online on MyFlixer.to in HD quality with no subscription required. For viewers who want to know which adaptations to avoid, here are 10 popular books that were made into terrible movies.
Alice In Wonderland (2010)
On paper, author Lewis Carroll’s Alice in Wonderland and director Tim Burton’s deeply whimsical style are a match made in heaven. But while Burton’s gritty, gray and post-apocalyptic underworld is a promising take on Carroll’s colorful world, Alice in Wonderland ultimately falls short. The gritty sequel to Burton’s original story was a bold attempt to revive a classic, but to many it looked and felt lifeless.
The Giver (2014)
In the bleak future of Lois Lowry’s The Giver, society has eliminated conflict and maintained order through equality—the eradication of all emotion. Only the recipient of the memento remembers the feelings and story before Samness – a role the little boy aspires to take on in Jonas the Giver, which was awarded the Newbery Medal for Children’s Literature. A great novel adaptation that should have been good, The Giver eschewed the philosophical questioning of the source material to jump on the dystopian blockbuster young adult wagon.
Eragon (2006)
Christopher Paolini started composing Aragon, the main book in The Legacy Cycle, when he was only 15 years of age. Featuring the story of a farm boy who learns to embrace his destiny as a dragon rider, Eragon may well be the best Star Wars-inspired young adult fantasy novel of all time, taking the hit books from The Inheritance Cycle, a film franchise to help flourish. Offers plenty of space for.
Gulliver’s Travels (2010)
Jonathan Swift’s 18th-century novel Gulliver’s Travels was a proto-sci-fi satire about developing societies that was far ahead of its time. It challenged the progress that led to the concept of nation – through a fictional adventure setting whose strong socio-political overtones appealed to adults and children alike. Meanwhile, the film adaptation of “Gulliver’s Travels” is a light-hearted adventure fantasy film.
The Dark Tower (2017)
Many terrifying films inspired by great fantasy books are the result of filmmakers who thought little about the source material. In contrast, the film “The Dark Tower” failed because it was inspired not only by the novel of the same name, but by all of Stephen King’s books. The result is a surprisingly fast-paced film that fails miserably to capitalize on the rich world, storyline, and characters of King’s sprawling western sci-fi epic. Even the casting of Idris Elba in the lead role of Roland Deschain couldn’t detract from the adaptation’s incomprehensible narrative.
The League Of Extraordinary Gentlemen (2003)
As with Watchmen, author Alan Moore envisioned The League of Extraordinary Gentlemen comic series as an aggressive and powerful superhero story. So Moore gathered literary figures from the Victorian era and interpreted their sombre origin stories with gloom and modern realism. But like many great fantasy books made into terrifying movies, the film adaptation oversimplified the original author’s visionary ideas.
The Mortal Instruments: City Of Bones (2013)
The first book in the The Mortal Instruments series by author Cassandra Clare, City of Bones is an ambitious urban fantasy youth drama centered on a covert supernatural war fought between the shadowhunters and the demons that destroy the world of mortals threaten. Although Claire’s novels have been criticized for their predictability, they were unique enough to stand out from other young adult fantasy book series. Unfortunately, the same cannot be said of The Mortal Instruments: City of Bones.
The Hobbit Trilogy (2012-2014)
Much like many great fantasy books that became horrible movies, the reason the Hobbit trilogy failed is because it essentially turned the same book into a movie trilogy. While Peter Jackson J.R.R. After the director made a film out of each of the three volumes of Tolkien’s The Lord of the Rings – resulting in the greatest trilogy of films in classic Western fantasy – the director took virtually the opposite approach in The Hobbit.
The Cat In The Hat (2003)
The Cat in the Hat, one of the most famous books by author Theodor Geisel, also known as Dr. Seuss, was developed as an improved version of the traditional primers used to teach children to read. The Cat in the Hat has earned a reputation for being one of the best educational children’s picture books of all time, so turning it into a full-length comedy full of cheeky humor was an odd one. As with most Hollywood adaptations of Seuss’ books, the set design is spectacular.
Inkheart (2008)
Cornelia Funke’s “Inkheart” is about Moe, a man who has the power to turn fantasies into reality by reading books. Trouble begins when Moe Inkheart breathes life into a villain in the book who ends up threatening the real world. As with many great fantasy books that have been made into horrible movies, the problem with the film adaptation of Inkheart is that the extensive story is unduly compressed to fit the length of a feature film. At Funke’s request, Brendan Fraser was cast as Moe.
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